Lorenzo
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Jessica
Original oil on canvas |
Figure Study #541
Original conte with white chalk on faux cream aged paper |
Figure Study #542
Original conte with white chalk on faux cream aged paper |
The Rose
Oil on canvas |
Back Study
Oil on canvas |
Figure Study #414
Black charcoal on faux aged paper |
Figure Study #502
Conte crayon on tinted paper |
Figure Study #503
Black charcoal on faux aged paper |
Figure Study #506
Black charcoal on faux aged paper |
Figure Study #464
Conte crayon on tinted paper |
Figure Study #467
Conte crayon on tinted paper |
Figure Study #440
Black charcoal on faux aged paper |
Figure Study #490
Black charcoal on faux aged paper |
Figure Study #528
Conte crayon on tinted paper |
Figure Study #462
Conte crayon on faux aged paper |
Resting Leda
Oil on canvas |
Figure Study #199
Conte crayon on tinted paper |
Figure Study #28
Black and white charcoal on tinted paper |
Figure Study #341
Conte crayon and black charcoal on tinted paper |
Figure Study #398
Conte crayon on tinted paper |
Figure Study #172
Conte crayon on tinted paper |
Giovanna
Oil on canvas |
Figure Study #409
Conte crayon on tinted paper |
Figure Study #14
Conte crayon on faux aged paper |
Figure Study #20
Conte crayon on tinted paper |
Figure Study #299
Black charcoal on faux aged paper |
Figure Study #31
Conte crayon on tinted paper |
Figure Study #109
Conte crayon on tinted paper |
About Lorenzo ~

Drawing and painting have been the artist's only passions since he was very young. Raised behind the "iron curtain" in Bucharest, Romania, Lorenzo didn't spend much time playing as child. While his parents' conservative views kept him away from the unpleasant political realities of the world around him, he found that studying the Old Masters was the most joyful way to escape from the contemporary upside-down world into which he was born.
In his early twenties, Lorenzo began his career in fine art by restoring the masterworks in Europe's old cathedrals. From assisting on scaffolding through all the elaborate phases of fresco technique, Lorenzo's own "agony and ecstasy" stands for posterity on many ceilings and domes of Romanian Orthodox cathedrals. He used the traditional old-Byzantine style as well as the more modern Western influences, being fascinated especially by the glorious accomplishments of the artists of the Italian Renaissance and Baroque.
Without following a traditional institutional path, Lorenzo continued to study the classics — from the Greeks to the Romans, from the Italians to the French and the Dutch. The freedom of visiting the world's most famous art museums was no longer a dream. The opulence of Versailles and the incredible treasures of the Louvre converged with Lorenzo's deep affection for the art of the "eternal city," Rome.
In 1986, Lorenzo moved from Rome to the United States. His elaborate background in painting and drawing has given him the strength to work his way up in artists' society. Working with art consultants, he successfully created numerous fine art commissions for corporate and private clients. From the collections of the National Museum of Catholic Art in the Rockefeller Center in New York, to corporate collections such as that of Sheraton Hotels & Resorts, Lorenzo's work is increasingly appreciated worldwide.

Jessica
Figure Study #541
Figure Study #542
The Rose
Back Study
Figure Study #414
Figure Study #502
Figure Study #503
Figure Study #506
Figure Study #464
Figure Study #467
Figure Study #440
Figure Study #490
Figure Study #528
Figure Study #462
Resting Leda
Figure Study #199
Figure Study #28
Figure Study #341
Figure Study #398
Figure Study #172
Giovanna
Figure Study #409
Figure Study #14
Figure Study #20
Figure Study #299
Figure Study #31
Figure Study #109